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Writer's pictureAntonio Eramo

The Art of Enjambment: Exploring the Miltonic Sonnet Form


The Miltonic Sonnet is a form that was popularized by John Milton. This sonnet follows the same rhyme scheme as a Petrarchan Sonnet (ABBAABBACDECDE). However, unlike the Petrarchan Sonnet, which I made up of an octave and a sestet, the Miltonic sonnet is traditionally written without stanza breaks.

The foremost defining characteristics of a Miltonic Sonnet are the theme and the use of enjambment. Unlike most sonnets, that primarily focus on love and emotion, Miltonic sonnets focus on politics and larger moral/intellectual issues. The use of enjambment quickens the pace of the sonnet and allows for double meanings to emerge throughout the piece.  

The Volta in a Miltonic sonnet is a bit more flexible (in regards to its location) than other sonnets, but typically there is still a question/conflict and a resolution/answer.

 

Structure: 

One unbroken stanza


Rhyme Scheme: 

ABBAABBACDECDE


Template :

                                                           (a)

                                                           (b)

                                                           (b)

                                                           (a)

                                                           (a)

                                                           (b)

                                                           (b)

                                                           (a)

                                                           (c)

                                                           (d)

                                                           (e)

                                                           (c)

                                                           (d)

                                                           (e)


Example:


Shake Off Responsibility

 

I know this intifada fad will fade

for campus hypocrites put pride before

the core beliefs of terrorists at war.

The tortured poets are all Taylor made

and rush to join calamities cascade

from the river. But few deliver more

than rhetoric that chooses to ignore

how often “victim” card is overplayed

by both sides in this genocidal game

that tunnels through the wickedness man

no peace is found in pieces of a lie

the art of war depends upon the frame-

work of false prophets. But what of Gods plan

involves mothers that never said good-bye


Antonio Eramo

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